Dead Reckonings

Forum Added on Lost Art in the Mathematical Sciences

Ron D. — Sat, 26 Jul 2008 04:02:24 +0000

You are invited to participate in a new forum established to share ideas and information related to lost art in the mathematical sciences. If you have feedback related to a specific essay or its user comments, please continue to provide comments at the end of the post. Otherwise, for general comments or suggestions for future essays, and in fact for wide-ranging discussions on erstwhile discoveries in mathematics and science, please feel free to post entries on the forum here, specifically on the discussion board for this blog. I will be posting essays here as I always have, and I’m still soliciting guest essays for this blog—the forum is simply a separate but related enterprise that involves more people and opens up more topics.

Off-Topic: “Plans Unfolding” Paper Organizer Software

Ron D. — Sat, 26 Jul 2008 03:33:06 +0000

In a clear breach of this blog’s charter, I’d like to announce the release of free software I developed for creating convenient, pocket-sized paper organizers. Using LaTeX as a typesetting engine, a high quality PDF file is generated of 16 mini-pages, which is then printed on both sides of a sheet of letter paper and folded to create a small booklet that can fit in your pocket. The Windows interface directly supports several types of standard pages (List, Text, Calendars, Contacts, etc.) and maintains all user data between sessions. It also provides page types not seen in conventional organizers, such as a Vigenere Cipher page for on-the-go encrypted text and an Astronomy page with a calculated planisphere of current star/planet/moon locations along with other astronomical data. Beyond this, custom user-designed pages can be easily written in LaTeX script and shared in the Plans Unfolding forum and galleries. For more information, please visit the Plans Unfolding home page here. Now back to the subject at hand—thanks for your indulgence.

Lightning Calculators III: The Media

Ron D. — Wed, 16 Apr 2008 01:45:58 +0000

Mental calculators of yesteryear were usually described in magazines, newspapers and books in ways that can be startling in our more cynical age. But even today newspaper articles, documentaries and television features on modern lightning calculators appear almost regularly, often with a “hook” such as diminished capabilities in other areas (the “Einstein” effect). Surely there must be some reports that try to be objective, but I haven’t found them. At best they are naively written by people with little mathematical background; at worst they use considerable license (deception, really, if only by omission) to present a better story. This part of the essay is not directly related to the historical art of mental calculation itself, but I think it serves as a cautionary tale in evaluating articles on it.

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Lightning Calculators II: The Methods

Ron D. — Wed, 16 Apr 2008 01:44:13 +0000

The types of calculations performed by lightning calculators were historically quite limited, notable mainly for the size of the numbers and the speed at which they were manipulated. But remember that the questioner had to verify every calculation by hand, making higher powers and roots (particularly inexact roots) much less feasible. The dawn of calculators and computers propelled some of these tasks into hitherto uncharted territories such as 13^th or 23^rd roots, deep roots of inexact powers, and so forth, much of it supported by more sophisticated mathematics. Here we will review the methods of calculation used in the past, many of them not commonly known, as well as other techniques that are relatively new.

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Lightning Calculators I: The Players

Ron D. — Wed, 16 Apr 2008 01:41:21 +0000

Individuals with preternatural abilities to calculate arithmetic results without pen, paper or other instruments, and to do so at astonishing speed, are the stuff of mathematical and psychological lore. These “lightning calculators” were sometimes of limited mental ability, sometimes illiterate but of average intelligence, and sometimes exceptionally bright, this despite the popular notion of the idiot savant. The techniques used by these people are not generally well known. In fact, despite claims by educators that acquiring a mental facility with arithmetic operations is essential to a student’s mathematics education, I see little in the textbooks other than simple estimations based on rounding values, surely the most basic and least interesting mental task. The field of mental calculation may not be a lost art per se, but in this digital age it most certainly is a neglected one.

Part I of this essay attempts to take a fresh look at both historical and modern lightning calculators. Part II describes classic and modern methods of mental calculation. And finally, Part III demonstrates as a cautionary tale the shallow and deceptive nature of most media coverage of lightning calculators, an important consideration in analyzing reports on them.

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A 4-Variable Nomogram — 四变量诺模图

Ron D. — Thu, 13 Mar 2008 06:21:25 +0000

by Liunian Li 李留念 and Ron Doerfler

Designing a nomogram for an equation containing more than three variables is difficult. The most common nomogram of this sort implements pivot points, requiring the user to create a series of isopleths to arrive at the solution. In this guest essay, Liunian Li describes the ingenious design of a nomogram that requires just a single isopleth to solve a 4-variable equation. For convenience the method is described in both English and Chinese.

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A Zoomorphic Nomogram

Ron D. — Sun, 24 Feb 2008 07:08:56 +0000

In Part III of my essay on The Art of Nomography, I mentioned the use of Weierstrass’ Elliptic Functions to create a nomogram composed of three variable scales overlaid onto a single curve. In particular, Epstein describes using this family of functions to create a nomogram for the equation u + v + w = 0, adding that the formula can be generalized for functions of these variables. This topic generated some interest, and it certainly is interesting to me, so I’ve explored it in more detail by designing a single-curve nomogram based on functions of u, v and w. This essay describes the procedure I followed to create a “fish” nomogram (found here) manifesting the formula for the oxygen consumption of rainbow trout as a function of weight and water temperature—a modest attempt to blend art with artifice.

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Book Recommendation: The Astrolabe, by James E. Morrison

Ron D. — Wed, 16 Jan 2008 19:20:55 +0000

I’ve been fascinated by astrolabes for a very long time, roughly 20 years. It was this avocation that led to my interest in sundials and, because they share museum space, my interest in clocks. When I lived in Rockford, Illinois, I would haunt the Time Museum, an institution that produced the most beautiful book on astrolabes. Adler Planetarium in nearby Chicago has one of the best astrolabe collections in the entire world, producing another beautiful book solely on Western astrolabes and a gorgeous book on antique scientific instruments in general. None of these provide the mathematical details of astrolabe design beyond a description of stereographic projection, and indeed this kind of detailed information is rarely found. The Astrolabe, a new book by James E. Morrison, is an absolutely unique and wonderful book on the mathematics needed to create accurate, beautiful designs of astrolabes, quadrants and other related instruments. I can’t recommend it enough to those who share the interests of this blog.

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The Art of Nomography III: Transformations

Ron D. — Wed, 09 Jan 2008 06:31:15 +0000

In addition to providing sophisticated nomograms, the use of determinants as described in the previous Part II offers one other huge advantage. Often the scaling factors of variables have to be manipulated to get a nomogram that uses all the available area and yet stretches portions of the curves that are most in need of accuracy; alternatively, there may be a need to bring distant points (even at infinity) into a compact nomogram. This can be done by morphing the nomogram with any transformation that maps points into points and lines into lines. It is also intriguing to consider the aesthetics of such transformations, creating eye-catching nomograms as an artistic process.

This final part of the essay reviews the types of transformations that can be performed on a nomogram, and it concludes by considering the roles of nomograms in the modern world and providing references for further information.

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The Art of Nomography II: Designing with Determinants

Ron D. — Wed, 09 Jan 2008 06:30:33 +0000

The previous Part I of this essay described the construction of straight-line nomograms using simple geometric relationships. Beyond this, a brief knowledge of determinants offers a powerful way of designing very elegant and sophisticated nomograms. A few basics of determinants are presented here that require no previous knowledge of them, and their use in the construction of straight line nomograms is demonstrated. Then we will see how these determinants can be manipulated to create extraordinary nomograms.

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The Art of Nomography I: Geometric Design

Ron D. — Wed, 09 Jan 2008 06:28:41 +0000

Nomography, truly a forgotten art, is the graphical representation of mathematical relationships or laws (the Greek word for law is nomos). These graphs are variously called nomograms (the term used here), nomographs, alignment charts, and abacs. This area of practical and theoretical mathematics was invented in 1880 by Philbert Maurice d’Ocagne (1862-1938) and used extensively for many years to provide engineers with fast graphical calculations of complicated formulas to a practical precision.

Along with the mathematics involved, a great deal of ingenuity went into the design of these nomograms to increase their utility as well as their precision. Many books were written on nomography and then driven out of print with the spread of computers and calculators, and it can be difficult to find these books today even in libraries. Every once in a while a nomogram appears in a modern setting, and it seems odd and strangely old-fashioned—the multi-faceted Smith Chart for transmission line calculations is still sometimes observed in the wild. The theory of nomograms “draws on every aspect of analytic, descriptive, and projective geometries, the several fields of algebra, and other mathematical fields” [Douglass].

This essay is an overview of how nomograms work and how they are constructed from scratch. Part I of this essay is concerned with straight-scale designs, Part II additionally addresses nomograms having one or more curved scales, and Part III describes how nomograms can be transformed into different shapes, the status of nomograms today, and the nomographic references I consulted.

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Heaviside’s Operator Calculus

Ron D. — Fri, 07 Dec 2007 06:43:53 +0000

An operational calculus converts derivatives and integrals to operators that act on functions, and by doing so ordinary and partial linear differential equations can be reduced to purely algebraic equations that are much easier to solve. There have been a number of operator methods created as far back as Liebniz, and some operators such as the Dirac delta function created controversy at the time among mathematicians, but no one wielded operators with as much flair and abandon over the objections of mathematicians as Oliver Heaviside, the reclusive physicist and pioneer of electromagnetic theory.

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The (Not So) Simple Pendulum

Ron D. — Mon, 19 Nov 2007 08:40:24 +0000

Pendulums are the defining feature of pendulum clocks, of course, but today they don’t elicit much thought. Most modern “pendulum” clocks simply drive the pendulum to provide a historical look, but a great deal of ingenuity originally went into their design in order to produce highly accurate clocks. This essay explores horologic design efforts that were so important at one time—not gearwork, winding mechanisms, crutches or escapements (which may appear as later essays), but the surprising inventiveness found in the “simple” pendulum itself.

It is commonly known that Galileo (1564-1642) discovered that a swinging weight exhibits isochronism, purportedly by noticing that chandeliers in the Pisa cathedral had identical periods despite the amplitudes of their swings. The advantage here is that the driving force for the pendulum, which is difficult to regulate, could vary without affecting its period. Galileo was a medical student in Pisa at the time and began using it to check patients’ pulse rates.

Galileo later established that the period of a pendulum varies as the square root of its length and is independent of the material of the pendulum bob (the mass at the end). One thing that surprised me when I encountered it is that the escapement preceded the pendulum—the verge escapement was used with hanging weights and possibly water clocks from at least the 14th century and probably much earlier. The pendulum provided a means of regulating such an escapement, and in fact Galileo invented the pin-wheel escapement to use in a pendulum clock he designed but never built. But it took the work of others to design pendulums for truly accurate clocks, and here we consider the contributions of three of these: Christiaan Huygens, George Graham and John Harrison.

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